Depuis quelques saisons, renouvelant copieusement ses gammes de luminaires et de meubles, Habitat semblait un peu en jachère. Nouvelle collection, nouvelles habitudes. Cette saison, l'univers de la marque gagne en cohérence et les styles se mélangent sans fin, revendiquant un joyeux éclectisme entre inspirations baroques, ethniques, design 70's et style graphique. La bonne nouvelle, c'est qu'en plus de rééditer des classiques oubliés comme la lampe Hebi d'Isao Hosoe (1969), Habitat reprend certaines belles pièces de ses collections précédentes. Ainsi, la suspension Prism de Nathalie Dewez se mue en piétement de table et le vase Pidou (1979) d'Alvino Bagni est maintenant proposé en lampe de table (ci-dessus). Renversant!
Recently, Habitat's style seemed a bit under construction with new ranges of lightings and furnitures released in no perticuliar order. But with its new collection, Habitat gets it right. This season, the universe of the english brand is gaining consistency, becoming more interesting in mixing different styles : a joyful eclecticism with baroco inspirations, ethnic-chic , 70's design and graphic style. Moreover, the good news is that in addition of reeditioning forgotten classics as Isao Hosoe's lamp Hebi (1969), the new collection still includes fine pieces of previous seasons. Indeed, the light suspension "Prism" by Nathalie Dewez becomes a table and vase Pidou (1979) of Alvino Bagni is now proposed as a table light (pictured above).
Recently, Habitat's style seemed a bit under construction with new ranges of lightings and furnitures released in no perticuliar order. But with its new collection, Habitat gets it right. This season, the universe of the english brand is gaining consistency, becoming more interesting in mixing different styles : a joyful eclecticism with baroco inspirations, ethnic-chic , 70's design and graphic style. Moreover, the good news is that in addition of reeditioning forgotten classics as Isao Hosoe's lamp Hebi (1969), the new collection still includes fine pieces of previous seasons. Indeed, the light suspension "Prism" by Nathalie Dewez becomes a table and vase Pidou (1979) of Alvino Bagni is now proposed as a table light (pictured above).
